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The reason why it’s important to make sure positive elements of LGBT life is represented more often in movies is because persistently focusing on the negative will only reinforce the idea that LGBT stories are somehow lesser than, and that’s a view point we as a society need to change. Real-life boxer Kali Reis makes her feature-film acting debut in this brutal crime thriller.
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Many would argue against this notion by pointing out that many heterosexual love stories also include sad or tragic endings – but this point of view becomes unfounded when considering the sheer amount of straight love stories that have been told throughout cinema history compared to LGBT. The issue is that there simply aren’t enough of the positive stories out there.
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Many recent releases including Moonlight have been cinematic triumphs and widely celebrated within the movie industry. It should also be made clear that this acknowledgement of LGBT movie stereotypes is not to say the stories that happen to be sad or end on a depressing note are deprived of their quality.
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Ultimately, the most plausible reason for those tragic endings could be down to the personal experiences of the people behind the story.ĭue to centuries of discrimination against LGBT people in society, it’s common for LGBT people to have suffered some form of discrimination or sadness in their lives, so it’s not surprising that their personal experiences may filter into their storytelling.Īs society becomes more and more comfortable with LGBT people and their relationships, the films that aim to tell LGBT stories will most likely become more and more positive – especially after so many countries made same sex marriage legal in recent years, which for some has arguably been one of the biggest ever victories for the LGBT community.Īn example of positive LGBT storytelling is the BAFTA-nominated film God’s Own Country, which depicts the story of a gay relationship without pandering to negative themes. This isn’t to say that any movie which is largely LGBT can’t have creative input from heterosexual actors and directors, but it’s worth asking how the dominance of non-LGBT influence in gay cinema has affected the way in which the stories are told. Simon is a closeted high school pupil in Atlanta, Georgia. 'The tender story of a young mans journey to self discovery that will strike a chord with anyone who remembers the difficult time of coming out. It is the first major Hollywood film to focus on a gay teenage romance, bringing gay characters unashamedly into the mainstream. Arturo Goetz, César Troncoso, Mirella Pascual. His 15-year-old son Jadin had committed suicide after intense bullying because he came out as gay. And they eventually come out and as a couple in a very public - and adorable - way.I'm a 12-year-old drag queen - but I started when I was 8 Love, Simon (2018) The thing about Love, Simon is that it’s really just your standard teen rom-com, but with a gay protagonist and a sweet coming-out story. Good Joe Bell (TBA, 2020) Based on a true story, with Mark Wahlberg in the titular role, ‘Good Joe Bell’ is the story of Joe Bell, who resolved to undertake a long walk across the United States to raise awareness against bullying. One is ostracized and bullied because hes different and everyone assumes hes gay (it never says whether or not he actually is) and the other is popular and fits in, but is secretly gay. Megan and Graham vacillate about their security in their identities throughout the film, but love is a powerful force. Handsome Devil (2016) Its about two roommates at an all-boys boarding school in Ireland. There, Megan falls for resident bad girl Graham (Clea DuVall in the role that squarely landed her on queer girls' radars). John Waters acolyte Mink Stole costars with Harold and Maude’s Bud Cort as Megan’s parents, who, troubled by her Melissa Etheridge poster and general disinterest in boys, send her off to True Directions, where the girls wear Pepto-Bismol pink and do a deep dive into domesticity while the powder-blue-clad boys learn to chop wood (as it were). This biopic about the late iconoclastic gay Cuban writer Reinaldo Arenas made Spanish actor Javier Bardem a first-time Oscar nominee five years before Brokeback Mountain. Granted, the pool of gay movies I could identify with was smallthis was the 2000s, after allbut. But out director Jamie Babbit’s satirical But I’m a Cheerleader, in which Orange Is the New Black’s Natasha Lyonne plays Megan, a lesbian cheerleader sent to a conversion therapy camp run by the very campy Cathy Moriarty and RuPaul (of all people), has been the gold standard of "ex-gay" movies for decades. When coming out felt insurmountable, I would turn to gay films and shows to feel less alone. 2018 served up two conversion therapy dramas - Boy Erased and The Miseducation of Cameron Post. Pariah (2011) From the out director of Mudbound and Bessie, Dee Rees’s first feature film, about 17-year-old Alike (Adepero Oduye) coming to terms with being a lesbian in the face of her.